Secret Movie Club Podcast

SMC Pod #201: Blade Runner & dystopian sci-fi movies

Ridley Scott's 1982 sci-fi dystopian noir Blade Runner where a disillusionedd private eye/cop/robot hunter Harrison Ford tracks down and falls in love with "Replicants" or robot cyborgs made to look like humans is a pinnacle of the sci-fi dystopian genre. Blade Runner presents a disturbing, overpopulated, megalopolis Los Angeles and explores sci-fi questions of what it means to be human, to exist, to live.  Dystopia movies like Alfonso Cuaron's Children of Men, Kubrick's A Clockwork Orange, Mike Judge's Idiocracy, show humanity and society hanging on but everything falling apart. These are movies just before the apocalypse. Secret Movie Club founder.programmer Craig Hammill takes a look at many of these movies and how years like 1971 and 2006 when the US was at war both internally and internationally produced dystopia sci-fi classics that mirrored our own anxiety and worry. 

SMC Podcast #200: Lightning Bottle Movie Masterpieces

To celebrate our 200th podcast, we take a look at some of the less screened and spoken about movie masterpieces that give us "that feel". Movies like Chaplin's The Gold Rush, Renoir's Boudu Saved From Drowning, Forman's The Fireman's Ball, the Coens' Barton Fink, Wim Wenders' Wings of Desire among many others are what Secret Movie Club founder.programmer Craig Hammill calls "lightning bottle movie masterpieces". Movies that give you "that feel" of electric, exciting "I want to do this" moviemaking. We discuss 15 movies in all, including asserting that Citizen Kane, as discussed as it is, is taken for granted and underrated now. Our hope here is that you'll go check out or re-watch a few of these movies and seek out cinema that gives you "that feel" to make amazing movies. 

SMC Pod #199: The Toronto Film Festival 2025 1st Person POV-Blake Winston Rice & his short DISC

Filmmaker Blake Winston Rice returns to the pod to talk about his most recent short, DISC, starring Victoria Ratermanis & indie phenom Jim Cummings and how it premiered at the 2025 Toronto Film Festival (TIFF). Blake joined us on SMC Pod #182 to talk about how his short TEA got into the Cannes Film Festival and what it was like to actually attend the world's greatest film fest in person. Now Blake returns to talk about Toronto which is in the Top 5 world film fests and often viewed as the springboard for moviemakers ahead of awards season. Secret Movie Club founder.programmer Craig Hammill and Blake talk about what a moviemaker needs to do these days to keep the needle moving forward towards feature work, financing, and career-building. 

SMC Pod #198: 10 horror movie discoveries

October is Halloween season. And Halloween season is always a good time to discover (or re-discover) some of the more hidden yet just as brilliant horror gems in the genre. From Carl Theodor Dryer's 1932 dreamlike VAMPYR to Lucio Fulci's 1971 blunt yet Hitchcockian LIZARD IN A WOMAN'S SKIN to Zach Cregger's 2022 breakthrough comedy-horror freakout BARBARIAN to Don Siegel's & Clint Eastwood's 1971 slice of Southern Gothic fever revenge THE BEGUILED to Bill Gunn's 1973 black politics, power, and sexuality art horror GANJA & HESS, these are the movies that will blow your mind. Secret Movie Club founder.programmer Craig Hammill takes you on a spooky tour through the shadow galleries of the vast crypt of horror movie masterpieces. 

SMC Pod #197: Is this Cinema Part Three: A Serbian Film

In the final part of our three part 2025 series, Is This Cinema?, we look at the 2010 boundary pushing shocking controversial A SERBIAN FILM co-wri & directed by Srdjan Spasojevic which has its advocates like moviemaker Eli Roth and its detractors (many many others). Actor, moviemaker, musician Andras Jones (who did NOT see the movie) and Secret Movie Club founder.programmer Craig Hammill (who did) use the movie (which did play big festivals around the world) as the launching point for the third part of their conversation about what actually defines cinema. Andras and Craig work to dig down on what the basic elements are that define cinema. Citizen Kane and Pink Flamingos both come up. And surprisingly Andras and Craig do ultimately come to a definition that works for both of them. 

SMC Pod #196: The Godfather trilogy & why it's a true trilogy

One of the greatest American movie trilogies has been right under our eyes for decades. Francis Ford Coppola's & team's The Godfather Parts 1, 2, and 3 form one of the most impressive three part movie projects ever attempted. It's easy to overlook this since The Godfather 3 came out 16 years after The Godfather 2 and is not considered at the same level as the first two movies. And yet, despite its definite shortcomings, The Godfather 3 is still one of the best movies of the 1990's and a fascinating and FITTING conclusion to the tragedy of Michael Corleone. Secret Movie Club founder.programmer Craig Hammill looks at what it took to make the three movies (it was always a fight) and how they fit together to form one of the few great Shakespearean level tragedies of American cinema. 

SMC Pod #195: Paul Thomas Anderson's ONE BATTLE AFTER ANOTHER & the 2025 theater experience

Sometimes you have to go see a movie in a theater no matter what. That's a great thing. Auteur moviemaker Paul Thomas Anderson's just released One Battle After Another, shot on the 35mm Vistavision format, starring Leonardo Di Caprio and Sean Penn about a stoner Dad ex-revolutionary trying to save his daughter is just such a movie. What's illuminating, for better and worse, is realizing even with a dynamite movie like this one, the 2025 theater experience needs work. Secret Movie Club founder.programmer Craig Hammill talks his theater experience, his admiration for Anderson's movie, and his thoughts-good, bad, ugly-about what where theater going is at in 2025. 

SMC Pod #194: Pixote, Come and See, and the real horror movies

It's one thing to be scared by a ghost story, vampires, or masked killers menacing horny teens in summer camps. It's another thing when you see a movie that forces you to confront horrors that happen everyday around the world. Movies like Hector Babenco's 1981 Brazillian neorealist Pixote about a 10 year old juvenile delinquent struggling in the corrupt reform schools and even more brutal streets. Movies like Elem Klimov's 1985 Come & See which follows wide-eyed Florya as he joins Belurusian partisans in World War II to fight invading nazis only to witness humanity's capacity for limitless atrocities. Movies like Lee Daniel's Precious about a teen girl who has to assert her own dignity in the face of rape, incest, and societal neglect. Movies like Lucas Moodysson's Lilya-4-Ever about how teens can suddenly find themselves being sex-trafficked. Secret Movie Club founder.programmer Craig Hammill looks at these and other movies in a search to define what exactly makes these movies so powerful and unbearable. 

SMC Pod #193: Star Persona vs. Great Actors and everything in between

A movie star has "it". You can't learn it. You can't fake it. The camera loves you. The audience wants you. Great actors may never be movie stars but they often have long, rewarding careers filled with powerful work even if they never get that huge paycheck. What's interesting though is how often big stars are determined to be recognized as great actors or vice versa.  And it's that grain of sand that often makes a dynamic career. Secret Movie Club founder.programmer Craig Hammill looks at movie stars, great actors, and everything in between like Louise Brooks, Marlon Brando, Steve McQueen, Brad Pitt, Julia Roberts, Paul Newman among others and tries to figure out. . .what exactly makes a movie star.

SMC Pod #192: Sunset Boulevard, Chinatown, & movies that capture the real Los Angeles

One of the fascinating ironies about Los Angeles is that it is often movies in heightened genres like noir that best capture what the city really feels like to those born and raised in it (like this podcaster). Movies like Billy Wilder's acidic Hollywood takedown classic Sunset Boulevard and Roman Polanski's & Robert Towne's 70's new cinema classic Chinatown show sides of the city with a denizen's inside baseball knowledge. But there's also a neorealist strain in the films of John Cassavettes, Charles Burnett, and others that shows Los Angeles from a working class and middle class ground level. The way we actually live our life here. And finally, oddly, 60's and 70's B movies like 1977's totally couldn't be made today "The Van" show LA as it is because the moviemakers couldn't afford a budget to dress it up. They just shot what they could and captured LA without any soft lighting or makeup.  Join Secret Movie Club founder.programmer Craig Hammill (a 4th generation Los Angelino) as we discuss some of the known and underground gems that shine a real light on the city we who live here love.